Zlata Ognevich - poster and tickets 2026

Zlata Ognevich (Злата Огнєвіч): concerts, schedule and tickets

From the TicketsBox editorial team

Zlata Ognevich (Злата Огнєвіч) concert tickets are in the catalogue below. Official prices, no markups. Full Ukraine concert schedule and archive of past shows.

Biography

Real name: Inna Leonidivna Borduh. Born 12 January 1986 in Murmansk. Her father, Leonid Hryhorovych Borduh, was an army surgeon — a colonel in the medical corps. Her mother was a teacher. The family moved to Crimea and her childhood passed in Sudak. Mountains and sea first, then music — third passion but the one that lasted.

Before Inna was born the family had suffered a tragedy: an older brother drowned at the age of six. Her parents were intensely protective as a result, watching over their daughter carefully. But that same care seems to have built her character: when she decided to become a singer she pursued it without stepping back.

First performance: the role of Snihurochka (Snow Maiden) at the elderly leisure centre where her mother worked. Then competitions. She regularly skipped school because of singing contests. She travelled to Vinnytsia for the Wings of Ukraine competition and met Bohdan Titomir there. Money was short — the family pawned her mother's jewellery to afford a concert dress or travel to a competition.

After school: the Glier Music College in Kyiv. She insisted on a state-funded place, convinced that only people without talent need to pay to study music. Then the Kyiv Institute of Music, specialising in jazz vocals.

After graduating: six years in the Song and Dance Ensemble of the Armed Forces of Ukraine. She initially agreed to work without pay because there were no vacancies. Those six years gave her a stage, discipline and an understanding of what a real live performance requires.

2009 — met producer and composer Mykhailo Nekrasov. He invented the stage name Zlata Ognevich. Active solo career started the same year.

2014 — an unexpected turn: elected as a Member of Parliament of Ukraine, 8th convocation, from the Radical Party of Oleh Lyashko. Led a subcommittee on arts, culture and creative activity. Stayed less than a year — resigned her mandate in November 2015. Said she was disappointed. That was it.

2022 — Order of Princess Olha III degree (23 August). 30 January 2026 — named as a juror for the National Selection for Eurovision 2026.

Voice and musical style

Zlata Ognevich has a vocal range of 3.5 octaves — lyric soprano. One of the most powerful voices in Ukrainian pop music. She handles both delicate lyrical ballads and theatrical vocal climaxes with equal ease — neither feels forced.

Most of her hits are co-written with Mykhailo Nekrasov, who has been her key collaborator and producer from the very start. They've built a shared creative language that removes the need to explain each new project from scratch. It shows in the consistency of the catalogue.

Genre: pop with a strong vocal lead. Not a dancepop structure where the voice is one element among many. With Ognevich it's the opposite: the voice is the centre, the arrangements build around it.

Eurovision: the road to third place

The Eurovision story isn't a lucky first attempt. It's a long, persistent campaign.

2009 — first application to the national selection. Didn't make it. 2010 — national selection again, song Tiny Island (English version of Ostriv). Reached the top five, didn't win. 2011 — The Kukushka, national selection final, second place — lost to Mika Newton. Three attempts in a row. That same year: won the Crimea Music Fest in Yalta, performed at Slavianski Bazar in Vitebsk, received the Best Voice of Ukraine award from the Argentine Embassy.

December 2012 — finally. Won the national selection with Gravity.

May 2013, Malmö. Eurovision Song Contest 58. Zlata Ognevich walks onstage alongside the giant Ihor Vovkovynskyi — 2.37 metres tall. The visual amplifies the song's theme: a small person and a force pulling them upward. Third place in the grand final. Afterwards: a Certificate of Honour from the Cabinet of Ministers and a watch from the Prime Minister.

30 November 2013 — co-hosted the 11th Junior Eurovision Song Contest in Kyiv alongside Tymur Miroshnychenko.

2026 — back at Eurovision in a new capacity: juror at the National Selection. And in the same broadcast — premiere of the updated version of ONE DAY, which became one of the most discussed moments of the evening. Viewers called it the song's second birth.

Discography

Early singles (2010-2012) — Anhely, Prystrast, Ostriv, Zozulya, Kukushka, Za Lisamy Horamy. Prystrast was used in an advertising campaign for confectionery brand Korona — the first major breakthrough to a mass audience.

Gravity (2013) — the song that changed everything. Written with Mykhailo Nekrasov. Third place at Eurovision. Became a symbol of Ukraine on the international stage in the year of Maidan. Still performed at every concert as the centrepiece moment audiences wait for.

Tantsyuvaty / Let's Dance (2017) — one of the most commercially successful tracks of her career. A dance pop song still in radio rotation. Live performances of this track generate a particular kind of electricity in the room.

Hrani / Facets (2018) — first proper studio album. Eight tracks with arrangements by Kostiantyn and Yevhen Filatov. From Tantsyuvaty to a new version of the folk song Chom Ty Ne Pryishov — a range of styles within one release.

Burevismy / Tornadoes — an emotional hit with millions of streams, one of the most recognisable tracks of her later period.

Ptashka / Little Bird (2024) — written for the Ukrainian film Konotopska Vidma (The Konotop Witch). A separate project where Ognevich stepped outside the standard pop format.

Bez Tebe / Without You (August 2024, duet with Maksym Borodin) — a lyrical duet track.

Zapaly Vohon / Light the Fire (2025) — a single that received a dance remix release, returning her to summer rotation and pulling millions of views within weeks.

Obiymi-Obiymi / Embrace Me (feat. CHEEV, remastered November 2025) — reissued track as part of the album Tut i Zaraz (Here and Now).

ONE DAY (2026) — new single premiered live at the National Selection for Eurovision 2026. The performance caused immediate social media discussion. Strong live delivery, fresh arrangement — audiences called it the track's second arrival.

Television and media

Narodna Zirka, season 3 — won in partnership with Asan Bilyalov.

Bytvy Khoriv / Battle of the Choirs (2014, 1+1) — with the Donetsk Choir, second place.

Tantsi z Zirkamy / Dancing with the Stars (2018, 1+1) — partnered with Dmytro Zhuk.

Kholostachka / The Bachelorette Ukraine, season 2 (2021, STB) — lead character on the reality show searching for a partner. Brought her visibility well beyond the existing music audience.

Cultural collaborations: appeared in Artem Pivovarov's Tvoyi Virshi, Moyi Noty project, collaborative work with other artists of the new wave.

Awards and honours

People's Artist of the Autonomous Republic of Crimea (2013). Order of Princess Olha III degree (2022). Certificate of Honour from the Cabinet of Ministers of Ukraine. Best Voice of Ukraine award from the Argentine Embassy (2011). Winner of Crimea Music Fest (2011).

Civic position

For Zlata Ognevich and her parents, who lived in Crimea, the 2014 annexation was a personal shock. Her mother had supported the Euromaidan. Since then her position has been consistent and public: Crimea is Ukraine. After 24 February 2022 she performs regularly at charity events supporting the Armed Forces, participates in fundraising and uses her platform for causes connected to the war.

How to buy a Zlata Ognevich (Злата Огнєвіч) ticket

Find the concert you want in the catalogue above. Click Buy ticket, choose seats on the venue map and pay by card. The ticket arrives as a PDF to your inbox with a QR code — show it from your phone at the door. No printout needed.

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FAQ

Where can I find the Zlata Ognevich (Злата Огнєвіч) concert schedule?

On this page. Upcoming shows display a Buy ticket button; past events are marked Event ended. The page updates whenever new dates appear.

How much do Zlata Ognevich tickets cost?

Depends on venue and seat category. Exact price is on the event card on TicketsBox.

Where do Zlata Ognevich concerts take place?

She tours across Ukraine. Address of every show is on the event card on TicketsBox.

Which song made Zlata Ognevich internationally known?

Gravity — the song she performed at Eurovision 2013 in Malmö, finishing third. Still one of the most recognised Ukrainian Eurovision entries ever.

Can I get a refund?

Conditions are in the event description. Organiser cancellation means automatic refund. Other questions — TicketsBox support.

What a Zlata Ognevich concert is like

A Zlata Ognevich concert is primarily a voice event. The staging, the lights, the choreography — all present, all considered. But when she starts singing the rest steps back. 3.5 octaves performed live is a different experience from a recording. You feel it in the room.

The programme typically spans her whole catalogue. Gravity — always. Tantsyuvaty — always generates a specific kind of audience energy. Current singles fill out the picture of where she is right now. Regular concert-goers say she never performs a "greatest hits on autopilot" version of her songs. Each show sounds like a new recording.

Stage presence is a separate matter entirely. She grew up in the Armed Forces ensemble, where a stage is a stage and unpreparedness has no place. Those six years built a performer who understands an audience before she ever became a star.

Three attempts and a win

Three consecutive years of national selection applications without winning isn't failure — it's preparation. Ognevich came back each time with better material, better vocal form and a deeper understanding of what the competition requires. When Gravity arrived she already knew how to deliver it. Both the jury and the telephone vote felt that. Third place in the grand final with 214 points combined.

Zlata Ognevich and the broader cultural picture

Zlata Ognevich's career has unfolded across two major turning points in Ukrainian history: the Euromaidan of 2013-2014 and the full-scale Russian invasion of February 2022. Both changed the country and changed what music means in it.

Her track dedicated to State Emergency Service workers is a specific example of how she approaches socially significant themes. It's not a charity PR song. It's about people most of us don't notice until they arrive at the worst moment. That choice of subject is characteristic of her approach.

Her involvement in Artem Pivovarov's Tvoyi Virshi, Moyi Noty project places her within the broader new wave of Ukrainian culture. She is not separate from the younger generation of artists — she's working alongside them while maintaining her own sound.

The voice itself

3.5 octave lyric soprano is the technical label. What makes the voice recognisable is different: warmth and power in the same sound, without hardness or sweetness. She can be a delicate ballad or a full theatrical vocal moment — and moving between them feels natural rather than like switching modes.

Most artists with strong classical training either stay in classical contexts or sacrifice vocal quality to fit pop formats. Ognevich found her own balance: pop structures with academic performance quality. That's exactly why Gravity worked the way it did — it didn't sound like a typical Eurovision entry. It sounded like something larger.

Sudak, Crimea and the personal

Sudak is not just a birthplace on a bio page. It's where the character formed. Where mountains and sea are not tourist images but daily reality. Where a family got by without spare resources and taught their daughter to keep her word and not back down.

Zlata Ognevich wants to skydive. To learn to paint. To meet Céline Dion — whose 1988 Eurovision performance she considers the benchmark for what a live competition entry should be. "Something like an electric current" is how she described the feeling she considers the mark of real love. That's probably the most accurate portrait of Zlata Ognevich overall: a person of strong words and precise images, in songs and outside them.